Barbara Stanwyck (/ˈstænwɪk/; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
Orphaned at the age of four and partially raised in foster homes, she always worked. One of her directors, Jacques Tourneur, said of her, "She only lives for two things, and both of them are work." She made her debut on stage in the chorus as a Ziegfeld girl in 1923 at age 16, and within a few years was acting in plays. Her first lead role, which was in the hit Burlesque (1927), established her as a Broadway star.
In 1929, she began acting in talking pictures. Frank Capra chose her for his romantic drama Ladies of Leisure (1930). This led to additional leading roles which raised her profile, such as Night Nurse (1931), Baby Face (1933), and the controversial The Bitter Tea of General Yen (1933). In 1937, she played the title role in Stella Dallas, for which she earned her first Academy Award nomination for best actress. In 1939, she starred in Union Pacific. In 1941, she starred in two screwball comedies: Ball of Fire with Gary Cooper, and The Lady Eve with Henry Fonda. She received her second Academy Award nomination for Ball of Fire, and in the decades since its release The Lady Eve has come to be regarded as a comedic classic, with Stanwyck's performance called one of the best in American comedy. Other successful films during this period are Meet John Doe (1940) and You Belong to Me (1941), reteaming her with Cooper and Fonda, respectively. By 1944, Stanwyck had become the highest-paid actress in the United States. She starred with Fred MacMurray in the seminal film noir Double Indemnity (1944), playing the wife who persuades an insurance salesman to kill her husband, for which she received her third Oscar nomination. In 1945, she starred as a homemaker columnist in the hit romantic comedy Christmas in Connecticut. The next year, she portrayed the title tragic femme fatale in The Strange Love of Martha Ivers. She garnered her fourth Oscar nomination for her performance as an invalid wife in the noir-thriller Sorry, Wrong Number (1948). Stanwyck's film career declined by the start of the 1950s, despite having a fair number of leading and major supporting roles in the decade, the most successful being Executive Suite (1954).
She transitioned to television by the 1960s, where she won three Emmy Awards, for The Barbara Stanwyck Show (1961), the Western series The Big Valley (1966), and the miniseries The Thorn Birds (1983).
Early life
Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York. She was the fifth – and youngest – child of Kathryn Ann (née McPhee) and Byron E. Stevens, both working-class parents. Her father, of English descent, was a native of Lanesville, Massachusetts, and her mother, of Scottish descent, was an immigrant from Sydney, Nova Scotia. She had three older sisters, Laura Mildred (Smith), Viola (Merkent), Mabel (Munier) and one older brother, Malcolm Byron (known as "Bert”).
When Ruby was four, her mother died of complications from a miscarriage after she was knocked off a moving streetcar in 1911 by a drunkard. Two weeks after the funeral, her father joined a work crew digging the Panama Canal and was never seen again by his family.
Ziegfeld girl and Broadway success
In 1923, a few months before her 16th birthday, Ruby auditioned for a place in the chorus at the Strand Roof, a nightclub over the Strand Theatre in Times Square. A few months later, she obtained a job as a dancer in the 1922 and 1923 seasons of the Ziegfeld Follies, dancing at the New Amsterdam Theater. "I just wanted to survive and eat and have a nice coat", Stanwyck said. For the next several years, she worked as a chorus girl, performing from midnight to seven in the morning at nightclubs owned by Texas Guinan. She also occasionally served as a dance instructor at a speakeasy for gays and lesbians owned by Guinan. One of her good friends during those years was pianist Oscar Levant, who described her as being "wary of sophisticates and phonies".
Film career
Stanwyck's first sound film was The Locked Door (1929), followed by Mexicali Rose, released in the same year. Neither film was successful; nonetheless, Frank Capra chose Stanwyck for his film Ladies of Leisure (1930). Her work in that production established an enduring friendship with the director and led to future roles in his films. Other prominent roles followed, among them as a nurse who saves two little girls from the villainous chauffeur (Clark Gable) in Night Nurse (1931). In Edna Ferber's novel brought to screen by William Wellman, she portrays small town teacher and valiant Midwest farm woman Selena in So Big! (1932). She followed with a performance as an ambitious woman "sleeping" her way to the top from "the wrong side of the tracks" in Baby Face (1933), a controversial pre-Code classic. In The Bitter Tea of General Yen (1933), another controversial pre-Code film by director Capra, Stanwyck portrays an idealistic Christian caught behind the lines of Chinese civil war kidnapped by warlord Nils Asther. A flop at the time, though it received some critical success, the lavish film is "dark stuff, and it's difficult to imagine another actress handling this ... philosophical conversion as fearlessly as Ms. Stanwyck does. She doesn't make heavy weather of it."
Marriages and relationships
While playing in The Noose, Stanwyck reportedly fell in love with her married co-star Rex Cherryman. When Cherryman took ill in early 1928, his doctor advised him to take a sea voyage, so Cherryman set sail for Le Havre intending to continue on to Paris, where he and Stanwyck had arranged to meet. While at sea he contracted septic poisoning and died shortly after arriving in France at the age of 31.
On August 26, 1928, Stanwyck married her Burlesque co-star Frank Fay. She and Fay later claimed that they had disliked each other at first, but became close after Cherryman's death. Fay was Catholic so Stanwyck converted for their marriage. She was reportedly unable to have children, and one biographer alleges the cause of her infertility was a botched abortion at the age of 15 that resulted in complications. After moving to Hollywood, the couple adopted a ten-month-old boy on December 5, 1932. They named him Dion, later amending the name to Anthony Dion, nicknamed Tony. The marriage was troubled; Fay's successful Broadway career did not translate to the big screen, whereas Stanwyck achieved Hollywood stardom. Fay was reportedly physically abusive to Stanwyck, especially when he was inebriated. Some claim that the marriage was the basis for dialogue written by William Wellman, a friend of the couple, for A Star Is Born (1937) starring Janet Gaynor and Fredric March. The couple divorced on December 30, 1935. Stanwyck won custody of their son, whom she raised with a strict, authoritarian hand and demanding expectations. Stanwyck and her son became estranged after his childhood, meeting only a few times after he became an adult. He died in 2006. Wrote Richard Corliss, the child "resembled her in just one respect: both were, effectively, orphans."
In 1936, while making the film His Brother's Wife (1936), Stanwyck became involved with her co-star, Robert Taylor. Rather than a torrid romance, their relationship was more one of mentor and pupil. Stanwyck served as support and adviser to the younger Taylor, who had come from a small Nebraska town; she guided his career and acclimated him to the sophisticated Hollywood culture. The couple began living together, sparking newspaper reports. Stanwyck was hesitant to remarry after the failure of her first marriage, but their 1939 marriage was arranged with the help of Taylor's studio, Metro-Goldwyn-Mayer, a common practice in Hollywood's golden age. Louis B. Mayer had insisted that Stanwyck and Taylor marry and went as far as presiding over arrangements at the wedding. Stanwyck and Taylor enjoyed time together outdoors during the early years of their marriage and owned acres of prime West Los Angeles property. Their large ranch and home in the Mandeville Canyon section of Brentwood, Los Angeles, is still referred to by the locals as "the old Robert Taylor ranch".
Stanwyck and Taylor decided in 1950 to divorce and, at his insistence, she proceeded with the official filing of the papers. There have been many rumors regarding the cause of the divorce, but after World War II Taylor attempted to create a life away from the entertainment industry, and Stanwyck did not share that goal.[80] Taylor allegedly had extramarital affairs, and unsubstantiated rumors suggested that Stanwyck had also. After the divorce, they remained friendly and acted together in Stanwyck's last feature film, The Night Walker (1964). She never remarried. According to her friend and Big Valley co-star Linda Evans, Stanwyck cited Taylor as the love of her life. She took his death in 1969 very hard, and took a long break from film and television work.
Later years and death
Stanwyck's retirement years were active, with charity work outside the limelight.
In 1981, in her home in the exclusive Trousdale section of Beverly Hills, she was awakened during the night by an intruder who struck her on the head with his flashlight, forced her into a closet, and absconded with $40,000 in jewels.
In 1982, while filming The Thorn Birds, Stanwyck inhaled special-effects smoke on the set that may have caused her to contract bronchitis, which was compounded by her cigarette-smoking habit. She began smoking at the age of nine and stopped just four years before her death.
Stanwyck died on January 20, 1990, at the age of 82, from congestive heart failure and chronic obstructive pulmonary disease at Saint John's Health Center in Santa Monica, California. She had indicated that she wanted no funeral service.[101] In accordance with her wishes, her remains were cremated and the ashes scattered from a helicopter over Lone Pine, California, where she had made some of her Western films.
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- SERVES
- 6
- COOK TIME
- 20 Min
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- 3 tablespoons vegetable oil, divided
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- 2 cups fresh broccoli florets
- 1 red bell pepper, cut into 1/2-inch chunks
- 1/4 teaspoon black pepper
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- 2 cups water
- In a large skillet over medium-high heat, heat 2 tablespoons oil until hot.
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1924 – Lauren Bacall, American actress (d.2014)
On September 16 of 1620, the Mayflower set sail from Plymouth, England with 102 souls on board. These colonists- men, women, children, some seeking fortune, some seeking religious freedom – were later known as pilgrims.
The colonists’ intended to land at Virginia. However, after 66 days at sea, storms and winds blew them off course. After spotting modern-day Cape Cod, the members of the Mayflower intended on exploring the mouth of the Hudson River. However, rough seas continued to plague the ship. They turned back and stayed at Cape Cod.
For the next few weeks, the Pilgrims explored Cape Cod and eventually settled on Plymouth for their plantation.
HOW TO OBSERVE
Learn more about the journey of the Mayflower. Visit Plymouth Plantation and explore the history surrounding the Mayflower. Discovery more about the voyage and those who made the journey. Find out about their decisions and the making of the settlement.
MAYFLOWER DAY HISTORY
This day commemorates the day the Mayflower set sail for the New World. At the time, William Bradford, the separatist leader whose journal historians often reference for Mayflower history, recorded dates according to the Julian calendar. At that point in history, both the Julian and the Gregorian (the calendar most often used today) were both in use. There is a 10-day difference between the two calendars, accounting for the different dates across historical accountings of the Mayflower’s departure from Plymouth, England.
